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Rurouni kenshin kyoto inferno viooz
Rurouni kenshin kyoto inferno viooz





It's worth reiterating Kenshin's upgrade in unarmed combat compared to the manga.Adaptational Badass: A majority of the skillset of the main characters and supporting cast were expanded upon in this film:.Fuji, instead of being gigantic, is an imposing white-haired man with a big naginata, but is otherwise normal.Saizuchi appears as a normal if elderly man, even capable of combat on his own.Iwanbō appears to be an actual man of sumo wrestler proportions, in contrast to his blob-like inhuman nature in the manga/anime.Yūkyūzan Anji is a big man, but nowehere near as beefy as he was in the source material.Kariwa Henya is stylized as a normal human being with a tengu-inspired outfit, instead of being tengu-like in physique.The Juppongatana as a whole is a mixed bag: while Seta Sōjirō, Sawagejo Chō (beyond a wardrobe color change), Sadojima Hōji and Uonoma Usui were pretty much accurate to their anime portrayals, the more outlandish members were downscaled to more human-like proportions.The trope is pretty much subverted with Shishio, who is a reasonably-attractive man with blackened skin in the anime, while Tatsuya Fujiwara is made up as realistically as possible to convey the horrifying burns and subsequent health problems a man like him should have.Aoshi himself is close enough to his anime counterpart down to the bangs (which is admittedly unusual in Real Life). All characters affiliated with the Oniwabanshu are regular human beings, most notable with Aoshi Shinomori's subordinates (none of them freakish in body shape or aesthetic).Adaptational Attractiveness: Played with across all the newly-introduced characters, which makes sense considering the more realistic aesthetics of the film:.She's also not as affected by Aoshi's madness compared to the source material. Possibly also inverted with Misao since she is aware of the tragic fates of Aoshi's comrades in this continuity.Even Sano, the only one voicing how upset he is about it, wasn't as angry in this continuity. Inverted with Kaoru, Megumi and Yahiko, who didn't take Kenshin leaving for Kyoto as hard as in the source material.

rurouni kenshin kyoto inferno viooz

Compared to the source material, Aoshi has been grieving the deaths of his fallen comrades for a whole if not over a decade.Actually Pretty Funny: Kenshin's first scene has him watching a kabuki play where the villain is pretty obviously a hammy expy of himself, but he just sits and laughs with the rest of the audience.Rurouni Kenshin: Kyoto Inferno contains examples of: This film is followed by Rurouni Kenshin: The Legend Ends, which was released one month later.







Rurouni kenshin kyoto inferno viooz